{"id":26146,"date":"2026-02-09T17:53:51","date_gmt":"2026-02-09T21:53:51","guid":{"rendered":"https:\/\/lecturia.org\/?p=26146"},"modified":"2026-02-09T17:56:46","modified_gmt":"2026-02-09T21:56:46","slug":"juan-rulfo-macario","status":"publish","type":"post","link":"https:\/\/lecturia.org\/en\/short-stories\/juan-rulfo-macario\/26146\/","title":{"rendered":"Juan Rulfo: Macario"},"content":{"rendered":"\n<p><strong>Synopsis:<\/strong> \u201cMacario,\u201d a short story by Juan Rulfo included in <em>El llano en llamas<\/em> (1953), is an intimate narrative that immerses us in the world of a young man with an intellectual disability under the care of his godmother. Caught between violence and tenderness, Macario finds solace in his relationship with Felipa, an alternative maternal figure. The narration captures his daily struggle, his simple desires, and his peculiar view of life, offering a window into his deepest thoughts and his marginal existence.<\/p>\n\n\n<div class=\"gb-container gb-container-910b3f81\">\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/lecturia.org\/wp-content\/uploads\/2024\/02\/Juan-Rulfo-Macario2.webp\" alt=\"Juan Rulfo - Macario2\" class=\"wp-image-19499\" srcset=\"https:\/\/lecturia.org\/wp-content\/uploads\/2024\/02\/Juan-Rulfo-Macario2.webp 1024w, https:\/\/lecturia.org\/wp-content\/uploads\/2024\/02\/Juan-Rulfo-Macario2-300x300.webp 300w, https:\/\/lecturia.org\/wp-content\/uploads\/2024\/02\/Juan-Rulfo-Macario2-150x150.webp 150w, https:\/\/lecturia.org\/wp-content\/uploads\/2024\/02\/Juan-Rulfo-Macario2-768x768.webp 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n<h2 class=\"wp-block-heading has-text-align-center\">Macario<\/h2>\n\n\n\n<p class=\"has-text-align-center\">Juan Rulfo<br>(Full story)<\/p>\n\n\n\n<p>I\u2019m sitting by the sewer waiting for the frogs to come out. Last night, while we were having dinner, they started kicking up a huge ruckus and didn\u2019t stop singing until dawn. That\u2019s what my godmother says, too: the frogs\u2019 shouting scared her sleep away. And she\u2019d like to sleep now. That\u2019s why she told me to sit here, near the sewer, waiting with a board in my hand so that I can smash to smithereens any frog that hops out . . . Frogs are green all over, except for their bellies. Toads are black. My godmother\u2019s eyes are black, too. Frogs are good to eat. You shouldn\u2019t eat toads; but I\u2019ve eaten them, too, though you\u2019re not supposed to, and they taste the same as frogs. Felipa is the one who says it\u2019s bad to eat toads. Felipa has green eyes, like a cat\u2019s. She\u2019s the one who feeds me in the kitchen when it\u2019s time for me to eat. She doesn\u2019t like me to hurt frogs. But, for the most part, it\u2019s my godmother who orders me around . . . I love Felipa more than my godmother. But it\u2019s my godmother who takes money out of her purse so Felipa can buy all the stuff we eat. The only thing Felipa does is stay in the kitchen and fix food for the three of us. Since I\u2019ve known her, she hasn\u2019t done anything else. It\u2019s up to me to wash the dishes. Bringing in wood for the stove is my job, too. Then it\u2019s my godmother who hands out the food. After she eats, she makes two little piles, one for Felipa, the other for me. But sometimes Felipa doesn\u2019t feel like eating, so then the two piles are for me. That\u2019s why I love Felipa, because I\u2019m always hungry and never full, not even after I eat her food. Even if people say you should be full after eating, I know I never get full, even if I eat everything they give me. And Felipa knows this, too . . . On the street, people say I\u2019m crazy because I\u2019m always hungry. My godmother has heard people saying this. I haven\u2019t heard it. My godmother won\u2019t let me go out alone on the street. When she takes me out for a walk, it\u2019s to go to church to hear Mass. She puts me right next to her and ties my hands together with the fringe of her shawl. I don\u2019t know why she ties my hands; she says it\u2019s because I might do something crazy. One day people came up with the idea that I was choking someone; I was wringing some lady\u2019s neck just for the heck of it. I don\u2019t remember. But, with all this, it\u2019s my godmother who says I do these things, and she never tells a lie. When she calls me to eat, it\u2019s to give me my part of the food, and not like other people who invite me to eat with them, and then when I get near them, they throw rocks at me until I run away with no food or anything. No, my godmother treats me well. That\u2019s why I\u2019m happy in her house. Besides, Felipa lives here. Felipa is very good to me. That\u2019s why I love her . . . Felipa\u2019s milk is sweet like hibiscus flowers. I\u2019ve drunk goat\u2019s milk and milk from a sow that had recently given birth; but no, it isn\u2019t as good as Felipa\u2019s milk . . . It\u2019s been a long time since she let me suck those mounds she has where we just have ribs, and where better milk than what my godmother gives us for lunch on Sundays comes out of her, if you know how to get it out of her . . . Every night Felipa would come to the room I sleep in, and would snuggle up to me, lying on top of me or a little to the side. Then she would take them out so I could suck that sweet and warm milk that would come out in streams on my tongue . . . I\u2019ve eaten hibiscus flowers many times in order to take care of the hunger. And Felipa\u2019s milk had the same flavor. I just liked it better because, while she was passing those mouthfuls on to me, Felipa would tickle me all over. Then what happened is that she would always fall asleep next to me, until daybreak. And that helped me a lot; because then I didn\u2019t care about the cold or about any fear of being condemned to Hell if I died alone there on one of those nights . . . Sometimes I\u2019m not so afraid of Hell. But sometimes I am. Then I like to give myself a good scare with the idea that I\u2019ll go to Hell one of these days, for being such a hard head and for banging it against the first thing that comes my way. But Felipa comes and scares away my fears. She tickles me with her hands like she knows how to and she blocks that fear I have of dying. And for a little while I forget about it . . . Felipa says, when she feels like being with me, that she will tell the Lord all about my sins. That she\u2019ll go to Heaven very soon and talk to Him, asking Him to forgive me for all the great wickedness that fills my body from top to bottom. She\u2019ll ask him to pardon me, so I don\u2019t have to worry anymore. That\u2019s why she goes to confession every day. Not because she\u2019s bad, but because I\u2019m filled with demons inside me, and she has to drive those little devils out of my body by going to confession for me. Every day. Every afternoon of every day. She\u2019ll do me that favor for life. That\u2019s what Felipa says. That\u2019s why I love her so much . . . But the thing about having such a hard head is the big thing. I bang it against the pillars in the corridor for hours on end and nothing happens to it, it can stand all that banging without even breaking. And I bang it against the floor; first slowly, then harder and it sounds like a drum. Just like the drum that goes with the&nbsp;<em>chirim\u00eda<\/em>, when the&nbsp;<em>chirim\u00eda<\/em>&nbsp;is brought to the Lord\u2019s church service. And then I\u2019m in church, tied to my godmother, hearing the boom boom of the drum outside . . . And my godmother says that if there are bedbugs and cockroaches and scorpions in my room it\u2019s because I\u2019m going to burn in Hell if I go on banging my head against the floor. But what I love is to listen to the drum. That\u2019s what she should know. To listen to it, like when I\u2019m in church, waiting to go out to see how you can hear the drum from so far away, to the very far end of the church and over the priest\u2019s condemnations . . . \u201cThe road to good things is filled with light. The road to bad things is dark.\u201d That\u2019s what the priest says . . . I get up and leave my room while it\u2019s still dark. I sweep the street and get back to my room before daylight catches me. Things happen on the street. Like people can split open your head from throwing stones. It rains big, sharp stones from everywhere. And then you have to mend your shirt and wait several days for the cuts on your face and knees to heal. And then again put up with having your hands tied, or they\u2019ll right away pull off the scabs and a stream of blood will come out again. Even though blood tastes good, it doesn\u2019t taste like Felipa\u2019s milk . . . That\u2019s why I always stay in the house, so they don\u2019t throw stones at me. As soon as I\u2019m fed, I lock myself in my room and bar the door so sins don\u2019t find me when they see it\u2019s dark. And I don\u2019t even light the torch to see where the cockroaches are climbing on me. Now I stay still. I lie down on my sacks, and as soon as I feel a cockroach crawling up my neck with its scratchy feet, I smash it to smithereens with my hand. But I don\u2019t light the torch. I\u2019m not going to let my sins catch me off guard with the torch lit up looking for all the cockroaches that get under my blanket . . . Cockroaches pop like firecrackers when you mash them. I don\u2019t know if crickets pop. I never kill crickets. Felipa says crickets make a sound all the time, without even stopping to breathe, so the screams of souls suffering in Purgatory can\u2019t be heard. The day crickets disappear, the world will be filled with the screams of holy souls and all of us will start running scared out of our wits. Besides, I like to keep an ear out to listen to the noise of the crickets. There are many in my room. Perhaps there are more crickets than cockroaches in the folds of the sacks where I sleep. There are scorpions, too. They fall from the ceiling every so often and you have to wait, holding your breath while they make their way across you until they reach the ground. Because if your arm moves or your bones start shaking, you feel the burn of the sting right away. That hurts. Once Felipa got stung in her behind by one of them. She started moaning and screaming quiet screams to the Virgen Santisima so her behind wouldn\u2019t be ruined. I rubbed spit on her. I spent the whole night rubbing spit on her and praying with her, and for a while, when I saw my remedy wasn\u2019t making her any better, I used my eyes as much as I could to help her cry . . . Anyway, I\u2019m more comfortable in my room than outside, where people who like to beat on people can notice me. Nobody does anything to me here. My godmother doesn\u2019t yell at me if she sees me eating her hibiscus flowers, or her myrtles, or her pomegranates. She knows how much I want to eat all the time. She knows my hunger never ends. She knows that no food is enough to fill my gut, even though I go about snitching things here and there all the time. She knows I gobble up the chickpea slop I feed the fat hogs with and the dry corn I feed the skinny pigs with. So she already knows how hungry I am from dawn to dusk. And as long as I find things to eat in this house, I\u2019ll stay here. Because I think the day I stop eating I\u2019m going to die, and then I will surely go straight to Hell. And no one will get me out of there, not even Felipa, even though she\u2019s so good to me, nor the&nbsp;<em>escapulario<\/em>&nbsp;my godmother gave me that I wear hung around my neck . . . Now I\u2019m next to the sewer waiting for the frogs to come out. And not one has come out in all this time I\u2019ve been talking. If they take any longer to come out, I\u2019ll probably fall asleep, and then there\u2019ll be no way to kill them, and my godmother won\u2019t be able to sleep if she hears them singing, and she\u2019ll get really angry. And she\u2019ll ask one in the row of saints she has in her room to send devils after me, so they can drag me straight to eternal damnation, without even stopping in Purgatory, and I won\u2019t be able to see either my papa or my mama, which is where they are . . . I better go on talking . . . What I want the most is to try a few mouthfuls of Felipa\u2019s milk again, good and sweet milk like the honey that comes from under the hibiscus flowers . . .<\/p>\n\n\n\n<p class=\"has-text-align-center\">THE END<\/p>\n\n\n\n\n\n\n","protected":false},"excerpt":{"rendered":"<p>\u201cMacario,\u201d a short story by Juan Rulfo included in El llano en llamas (1953), is an intimate narrative that immerses us in the world of a young man with an intellectual disability under the care of his godmother. Caught between violence and tenderness, Macario finds solace in his relationship with Felipa, an alternative maternal figure. The narration captures his daily struggle, his simple desires, and his peculiar view of life, offering a window into his deepest thoughts and his marginal existence.<\/p>\n","protected":false},"author":1,"featured_media":19499,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[559],"tags":[717,612,630],"class_list":["post-26146","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-short-stories","tag-juan-rulfo-en","tag-mexico-en","tag-realism","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-33"],"acf":[],"taxonomy_info":{"category":[{"value":559,"label":"Short stories"}],"post_tag":[{"value":717,"label":"Juan Rulfo"},{"value":612,"label":"Mexico"},{"value":630,"label":"Realism"}]},"featured_image_src_large":["https:\/\/lecturia.org\/wp-content\/uploads\/2024\/02\/Juan-Rulfo-Macario2.webp",1024,1024,false],"author_info":{"display_name":"Juan Pablo Guevara","author_link":"https:\/\/lecturia.org\/en\/author\/spartakku\/"},"comment_info":"","category_info":[{"term_id":559,"name":"Short stories","slug":"short-stories","term_group":0,"term_taxonomy_id":559,"taxonomy":"category","description":"","parent":0,"count":418,"filter":"raw","cat_ID":559,"category_count":418,"category_description":"","cat_name":"Short stories","category_nicename":"short-stories","category_parent":0}],"tag_info":[{"term_id":717,"name":"Juan Rulfo","slug":"juan-rulfo-en","term_group":0,"term_taxonomy_id":717,"taxonomy":"post_tag","description":"","parent":0,"count":11,"filter":"raw"},{"term_id":612,"name":"Mexico","slug":"mexico-en","term_group":0,"term_taxonomy_id":612,"taxonomy":"post_tag","description":"","parent":0,"count":16,"filter":"raw"},{"term_id":630,"name":"Realism","slug":"realism","term_group":0,"term_taxonomy_id":630,"taxonomy":"post_tag","description":"","parent":0,"count":52,"filter":"raw"}],"_links":{"self":[{"href":"https:\/\/lecturia.org\/en\/wp-json\/wp\/v2\/posts\/26146","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lecturia.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lecturia.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lecturia.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lecturia.org\/en\/wp-json\/wp\/v2\/comments?post=26146"}],"version-history":[{"count":0,"href":"https:\/\/lecturia.org\/en\/wp-json\/wp\/v2\/posts\/26146\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lecturia.org\/en\/wp-json\/wp\/v2\/media\/19499"}],"wp:attachment":[{"href":"https:\/\/lecturia.org\/en\/wp-json\/wp\/v2\/media?parent=26146"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lecturia.org\/en\/wp-json\/wp\/v2\/categories?post=26146"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lecturia.org\/en\/wp-json\/wp\/v2\/tags?post=26146"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}