Arthur Machen: The Happy Children

Arthur Machen: The Happy Children

The Happy Children is a haunting story by Arthur Machen, published in 1920. After Christmas 1915, a journalist stops in Banwick, a town steeped in medieval atmosphere. Fascinated by the beauty of the place, he wanders through the narrow, winding streets, where he is surprised to find numerous children laughing, singing, and dancing merrily. His bewilderment increases as he finds that even as night falls and darkness envelops the village, children are still on the streets. While exploring this enigmatic setting, the journalist witnesses a strange procession heading to an ancient church on the hill. This experience will be far more disturbing than he ever imagined.

Arthur Machen: The Happy Children

The Happy Children

Arthur Machen
(Full story)

A day after the Christmas of 1915, my professional duties took me up north; or to be as precise as our present conventions allow, to “the North–Eastern district.” There was some singular talk; mad gossip of the Germans having a “dug-out” somewhere by Malton Head. Nobody seemed to be quite clear as to what they were doing there or what they hoped to do there; but the report ran like wildfire from one foolish mouth to another, and it was thought desirable that the whole silly tale should be tracked down to its source and exposed or denied once and for all.

I went up, then, to that north-eastern district on Sunday, December 26th, 1915, and pursued my investigations from Helmsdale Bay, which is a small watering-place within a couple of miles of Malton Head. The people of the dales and the moors had just heard of the fable, I found, and regarded it all with supreme and sour contempt. So far as I could make out, it originated from the games of some children who had stayed at Helmsdale Bay in the summer. They had acted a rude drama of German spies and their capture, and had used Helby Cavern, between Helmsdale and Malton Head, as the scene of their play. That was all; the fools apparently had done the rest; the fools who believed with all their hearts in “the Russians,” and got cross with anyone who expressed a doubt as to “the Angels of Mons.”

“Gang oop to beasten and tell them sike a tale and they’ll not believe it,” said one dalesman to me; and I have a suspicion that he thought that I, who had come so many hundred miles to investigate the story, was but little wiser than those who credited it. He could not be expected to understand that a journalist has two offices — to proclaim the truth and to denounce the lie.

I had finished with “the Germans” and their dug-out early in the afternoon of Monday, and I decided to break the journey home at Banwick, which I had often heard of as a beautiful and curious old place. So I took the one-thirty train, and went wandering inland, and stopped at many unknown stations in the midst of great levels, and changed at Marishes Ambo, and went on again through a strange land in the dimness of the winter afternoon. Somehow the train left the level and glided down into a deep and narrow dell, dark with winter woods, brown with withered bracken, solemn in its loneliness. The only thing that moved was the swift and rushing stream that foamed over the boulders and then lay still in brown pools under the bank.

The dark woods scattered and thinned into groups of stunted, ancient thorns; great grey rocks, strangely shaped, rose out of the ground; crenellated rocks rose on the heights on either side. The brooklet swelled and became a river, and always following this river we came to Banwick soon after the setting of the sun.

I saw the wonder of the town in the light of the afterglow that was red in the west. The clouds blossomed into rose-gardens; there were seas of fairy green that swam about isles of crimson light; there were clouds like spears of flame, like dragons of fire. And under the mingling lights and colours of such a sky Banwick went down to the pools of its land-locked harbour and climbed again across the bridge towards the ruined abbey and the great church on the hill.

I came from the station by an ancient street, winding and narrow, with cavernous closes and yards opening from it on either side, and flights of uneven steps going upward to high terraced houses, or downward to the harbour and the incoming tide. I saw there many gabled houses, sunken with age far beneath the level of the pavement, with dipping roof-trees and bowed doorways, with traces of grotesque carving on their walls. And when I stood on the quay, there on the other side of the harbour was the most amazing confusion of red-tiled roofs that I had ever seen, and the great grey Norman church high on the bare hill above them; and below them the boats swinging in the swaying tide and the water burning in the fires of the sunset. It was the town of a magic dream. I stood on the quay till the shining had gone from the sky and the waterpools, and the winter night came down dark upon Banwick.

I found an old snug inn just by the harbour, where I had been standing. The walls of the rooms met each other at odd and unexpected angles; there were strange projections and juttings of masonry, as if one room were trying to force its way into another; there were indications as of unthinkable staircases in the corners of the ceilings. But there was a bar where Tom Smart would have loved to sit, with a roaring fire and snug, old elbow chairs about it and pleasant indications that if “something warm” were wanted after supper it could be generously supplied.

I sat in this pleasant place for an hour or two and talked to the pleasant people of the town who came in and out. They told me of the old adventures and industries of the town. It had once been, they said, a great whaling port, and then there had been a lot of shipbuilding, and later Banwick had been famous for its amber-cutting. “And now there’s nowt,” said one of the men in the bar; “but we get on none so badly.”

I went out for a stroll before my supper. Banwick was now black, in thick darkness. For good reasons not a single lamp was lighted in the streets, hardly a gleam showed from behind the closely curtained windows. It was as if one walked a town of the Middle Ages, and with the ancient overhanging shapes of the houses dimly visible I was reminded of those strange, cavernous pictures of mediæval Paris and Tours that Doré drew.

Hardly anyone was abroad in the streets; but all the courts and alleys seemed alive with children. I could just see little white forms fluttering to and fro as they ran in and out. And I never heard such happy children’s voices. Some were singing, some were laughing; and peering into one black cavern, I made out a ring of children dancing round and round and chanting in clear voices a wonderful melody; some old tune of local tradition, as I supposed, for its modulations were such as I had never heard before.

I went back to my tavern and spoke to the landlord about the number of children who were playing about the dark streets and courts, and how delightfully happy they all seemed to be.

He looked at me steadily for a moment, and then said:

“Well, you see, sir, the children have got a bit out of hand of late; their fathers are out at the front, and their mothers can’t keep them in order. So they’re running a bit wild.”

There was something odd about his manner. I could not make out exactly what the oddity was, or what it meant. I could see that my remark had somehow made him uncomfortable; but I was at a loss to know what I had done. I had my supper, and then sat down for a couple of hours to settle “the Germans” of Malton Head.

I finished my account of the German myth, and instead of going to bed, I determined that I would have one more look at Banwick in its wonderful darkness. So I went out and crossed the bridge, and began to climb up the street on the other side, where there was that strange huddle of red roofs mounting one above the other that I had seen in the afterglow. And to my amazement I found that these extraordinary Banwick children were still about and abroad, still revelling and carolling, dancing and singing, standing, as I supposed, on the top of the flights of steps that climbed from the courts up the hillside, and so having the appearance of floating in mid-air. And their happy laughter rang out like bells on the night.

It was a quarter past eleven when I had left my inn, and I was just thinking that the Banwick mothers had indeed allowed indulgence to go too far, when the children began again to sing that old melody that I had heard in the evening. And now the sweet, clear voices swelled out into the night, and, I thought, must be numbered by hundreds. I was standing in a dark alley-way, and I saw with amazement that the children were passing me in a long procession that wound up the hill towards the abbey. Whether a faint moon now rose, or whether clouds passed from before the stars, I do not know; but the air lightened, and I could see the children plainly as they went by singing, with the rapture and exultation of them that sing in the woods in springtime.

They were all in white, but some of them had strange marks upon them which, I supposed, were of significance in this fragment of some traditional mystery-play that I was beholding. Many of them had wreaths of dripping seaweed about their brows; one showed a painted scar on her throat; a tiny boy held open his white robe, and pointed to a dreadful wound above his heart, from which the blood seemed to flow; another child held out his hands wide apart and the palms looked torn and bleeding, as if they had been pierced. One of the children held up a little baby in her arms, and even the infant showed the appearance of a wound on its face.

The procession passed me by, and I heard it still singing as if in the sky as it went on its steep way up the hill to the ancient church. I went back to my inn, and as I crossed the bridge it suddenly struck me that this was the eve of the Holy Innocents’. No doubt I had seen a confused relic of some mediæval observance, and when I got back to the inn I asked the landlord about it.

Then I understood the meaning of the strange expression I had seen on the man’s face. He was sick and shuddering with terror; he drew away from me as though I were a messenger from the dead.

Some weeks after this I was reading in a book called The Ancient Rites of Banwick. It was written in the reign of Queen Elizabeth by some anonymous person who had seen the glory of the old abbey, and then the desolation that had come to it. I found this passage:

“And on Childermas Day, at midnight, there was done there a marvellous solemn service. For when the monks had ended their singing of Te Deum at their Mattins, there came unto the altar the lord abbot, gloriously arrayed in a vestment of cloth of gold, so that it was a great marvel to behold him. And there came also into the church all the children that were of tender years of Banwick, and they were all clothed in white robes. And then began the lord abbot to sing the Mass of the Holy Innocents. And when the sacring of the Mass was ended, then there came up from the church into the quire the youngest child that there was present that might hold himself aright. And this child was borne up to the high altar, and the lord abbot set the little child upon a golden and glistering throne afore the high altar, and bowed down and worshipped him, singing, ‘Talium Regnum Coelorum, Alleluya. Of such is the Kingdom of Heaven. Alleluya,’ and all the quire answered singing, ‘Amicti sunt stolis albis, Alleluya, Alleluya; They are clad in white robes, Alleluya, Alleluya.’ And then the prior and all the monks in their order did like worship and reverence to the little child that was upon the throne.”

I had seen the White Order of the Innocents. I had seen those who came singing from the deep waters that are about the Lusitania; I had seen the innocent martyrs of the fields of Flanders and France rejoicing as they went up to hear their Mass in the spiritual place.

THE END

Arthur Machen: The Happy Children
  • Author: Arthur Machen
  • Title: The Happy Children
  • Published in: The Masterpiece Library of Short Stories (1920)

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