Silvina Ocampo: The House Made of Sugar. Summary and analysis

Summary of “The House Made of Sugar

The House Made of Sugar” (La casa de azúcar) by Silvina Ocampo is a tale that, through a dense and suggestive narrative, poses a game of mirrors between reality and fiction, identity and transformation. The story, narrated in the first person by Cristina’s husband, a woman besieged by superstitions, begins with the search for a new home after her marriage. The narrator discovers a house that, although it appears to be unique, has an unknown past. To appease his wife’s superstitions, he lies about the house’s history, triggering a series of events that lead to Cristina’s transmutation.

Ocampo constructs a scenario where the every day is intertwined with the unusual, creating an atmosphere of mystery and ambiguity. The house, which should be a refuge, becomes a labyrinth of secrets and transformations. The arrival of a dog, which Cristina adopts and names Amor, and the appearance of objects and calls related to a previous tenant, Violeta, increase the tension in the narrative.

The story takes a turn when the narrator discovers disturbing similarities between Violeta’s life and the changes in Cristina. Obsessed with the idea that his wife has transformed into Violeta, his perception of reality is distorted. The story’s conclusion is as enigmatic as its development: Cristina mysteriously disappears, leaving the narrator alone in the house, now perceived as an uninhabited and empty space.

With its ability to weave the characters’ psychology with a surreal setting, this story shows Ocampo’s mastery in exploring the boundaries between the real and the imaginary. The narrative, rich in symbolism and nuance, invites reflection on themes such as identity, obsession, lies and metamorphosis, keeping the reader in constant uncertainty and fascination.

The characters and their development throughout the story

Cristina: At the beginning, Cristina is presented as a figure dominated by her superstitions and phobias, which essentially define her. These peculiarities, while initially charming to the husband, are revealed as a harbinger of future events. As the story progresses, Cristina is subtly but profoundly transformed. Her adoption of the dog and the change in her behavior and daily routines suggest an internal metamorphosis. This transformation culminates in the climax of the story, where Cristina seems to have absorbed the identity of Violeta, the house’s previous tenant. This merging of identities, real or imagined, raises questions about the nature of the self and the influence of the environment in shaping identity.

Cristina’s husband (Narrator): The narrator, whose identity is never fully revealed, begins as a loving and understanding husband, though somewhat condescending about his wife’s superstitions. His decision to lie about the house’s history catalyzes Cristina’s transformation. As the story unfolds, the narrator moves from a passive observer to an active protagonist in the mystery surrounding his wife. His obsession with discovering the truth about Violeta and his growing paranoia regarding the changes in Cristina drive him to a state of alienation and despair. His inability to discern reality from his suspicions reflects a descent into madness or, at the very least, a profound emotional imbalance.

Secondary characters, such as Violeta’s singing teacher and the young woman who reclaims the dog, though briefly portrayed, act as mirrors and catalysts for the changes in Cristina and the narrator’s perception. These encounters reinforce the sense of uncertainty and disorientation that permeates the story.

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Scenario in which “The House Made of Sugar” takes place.

The House: The central element of the setting is the house itself, which gives the story its title. This house is initially described as a place of refuge and safety, especially for Christina, who is sensitive to outside influences due to her superstitions. However, as the story unfolds, the house is transformed into a scene of mystery and unease. Its hidden history and connection to the previous tenant, Violeta, introduce an element of uncertainty and ambiguity. The house, with its nooks, crannies, and rooms, becomes a labyrinth where reality and fiction intertwine and Cristina’s transformation and the narrator’s obsession take shape.

Elements of the house: Ocampo uses specific aspects within the home, such as the dog and the velvet dress, to intensify the air of mystery and symbolism. These objects act as catalysts for changes in the characters and the reader’s perception of the reality of events.

Psychological atmosphere: Beyond the physical environment, Ocampo creates a dense psychological atmosphere charged with tension. The house and its objects are imbued with hidden meanings and an air of enigma that reflects the characters’ mental state. The narrative constructs a space where anxiety, doubt and obsession manifest themselves in every corner, transforming the everyday into something strange and disturbing.

Writing techniques employed by Silvina Ocampo in “The House Made of Sugar.”

Silvina Ocampo’s writing style in “The House Made of Sugar” is distinctive and complex. Her ability to interweave the real with the surreal creates an atmosphere of ambiguity and mystery. This story reflects several facets of his literary style:

Lyrical and poetic narrative: Ocampo, also known for her poetry, infuses her prose with a lyrical sense. Her use of metaphors and evocative descriptions adds a poetic dimension to the text, which enriches the reader’s experience and brings a dreamlike quality to the narrative.

Precision in detail: Ocampo demonstrates meticulous attention to detail despite the story’s brevity. Every element, from the objects within the house to the characters’ behaviors, is accurately described. This attention to detail sets the mood, develops the characters, and plays a crucial role in building narrative tension and gradually revealing the mystery.

Fusion of the real and the fantastic: One of the most striking aspects of Ocampo’s style is his ability to fuse the real with fantastic or surreal elements. This blend creates a sense of uncertainty and ambiguity, challenging the reader to discern between what is true and what is a figment of the imagination or the distorted perception of the characters.

Narrative perspective and character construction: Using a first-person narrator, also a central character in the plot, adds a layer of subjectivity to the narrative. This stylistic choice allows Ocampo to explore the narrator’s psychology and his perception of events and of the other characters, especially Cristina. The first-person narration also contributes to the claustrophobia and obsession permeating the story.

The economy of language: Ocampo shows excellent economy in her language, using a concise style that suggests more than it directly expresses. This suggestion technique, rather than explicit explanation, leaves room for the reader’s interpretation and increases the emotional and psychological impact of the text.

Atmosphere and tone: The story’s tone oscillates between melancholy and disturbing. Ocampo creates an atmosphere charged with psychological and emotional tension, where anxiety and uncertainty are palpable. This tone contributes to the overall sense of unease that characterizes the story.

Narrative point of view

The story in “The House Made of Sugar” is narrated in the first person by Cristina’s husband, the main female character. This choice of point of view has several important implications for the story:

Subjectivity and limited perspective: Using the first person, Ocampo restricts the narrative to the narrator’s perspective. This subjective approach means the story is filtered through his perceptions, thoughts, and emotions. As a result, the reader sees events and other characters exclusively from their perspective, which introduces ambiguity and bias in interpreting reality.

Reality construction: The narrator’s subjectivity raises questions about his account’s reliability. To what extent can readers trust his version of events? This question becomes more acute as the narrator’s obsession with Cristina’s identity and Violeta’s possible influence intensifies. The narrative becomes an exploration of the construction of reality, both for the narrator and the reader.

Empathy and connection with the character: Using the first person also allows for an intimate connection with the narrator. Although their identity and past remain hidden, their fears, obsessions and confusion become tangible to the reader. This closeness can generate greater empathy or, at the very least, an interest in understanding her point of view.

Focus on Cristina’s transformation: The narrator’s point of view focuses attention on the changes Cristina undergoes. The narrative becomes a detailed observation of her behavior, habits, and possible metamorphosis. This approach intensifies the mystery and suspense as the narrator (and, with him, the reader) tries deciphering the truth behind these changes.

Open interpretation: Finally, the choice of first-person narration allows Ocampo to leave many aspects of the story open. The ambiguity inherent in the narrator’s limited and potentially biased perception invites the reader to question and search for meanings beyond the surface of the text.

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Main themes addressed in the story

Identity and transformation: One of the central themes is the fluidity and fragility of identity. Initially defined by her superstitions, Cristina undergoes a transformation that leads her to assume, at least in the narrator’s perception, the characteristics of Violeta, the previous tenant. This metamorphosis calls into question the stability of identity and suggests the influence of environment and circumstance in shaping the self.

Obsession and paranoia: The narrator, whose obsession with protecting and understanding Cristina becomes the narrative’s driving force, exhibits a growing paranoia. His fixation with the figure of Violeta and fear of losing Cristina drive him to increasingly irrational behavior. This theme highlights how obsession can distort the perception of reality.

Reality versus illusion: Ocampo plays with the ambiguity between the real and the imaginary. Throughout the story, the line between truth and distorted perception becomes blurred. The reader is forced to constantly question the reliability of the narrator and the nature of the events described.

The power of superstitions: The story begins by exploring how they affect Cristina’s daily life. This theme expands to suggest how irrational beliefs and fears can influence decisions and relationships.

Isolation and alienation: Physical and emotional isolation is a recurring theme. The house becomes a refuge and a prison, isolating the characters from the outside world. This isolation contributes to the narrator’s alienation and Cristina’s transformation.

Relationships and power: The relationship between the narrator and Cristina is complex and marked by power dynamics. The narrator attempts to protect Cristina from her fears but, in doing so, exerts a control that eventually contributes to her alienation and possible transformation.

Time: The story suggests a reflection on the impact of the past on the present. The story of the house and its previous tenant, Violeta, is intertwined with the characters’ present lives, suggesting that the past is never entirely separate from the present.

Historical and cultural context

The historical and cultural context in which Silvina Ocampo’s “The House Made of Sugar” is set is relevant to understanding the depth and nuances of the story. Silvina Ocampo, sister of Victoria Ocampo and wife of Adolfo Bioy Casares, was a leading figure in the Argentine literary scene and part of an intellectual circle that included Jorge Luis Borges, among others. The story was first published in 1959 in Argentina, undergoing significant social and political changes.

Mid-20th Century Argentina: During this period, Argentina was going through a time of political instability and social change. The 1950s witnessed the fall of Juan Domingo Perón’s government and a subsequent period of military and civilian governments. This atmosphere of political and social uncertainty could be reflected in the atmosphere of ambiguity and uneasiness in the story.

Influence of European literature and surrealism: Ocampo and his contemporaries were influenced by European literary currents, especially surrealism, emphasizing the importance of the subconscious, dreams and irrational elements. This influence is reflected in the mixture of realism and surrealism in “The House Made of Sugar,” as well as in the focus on the psychological and dreamlike aspects of the narrative.

The role of women in society: Cristina’s portrayal in the story can be interpreted in light of gender norms and the role of women in Argentine society at the time. Cristina’s transition from a woman defined by her superstitions to an enigmatic and transformed figure possibly reflects the tensions and changes in the perception and role of women.

Argentine literature and the tradition of the fantastic: Ocampo belonged to a generation of Argentine writers redefining national literature, especially through the fantastic genre. Authors such as Borges and Bioy Casares explored the fantastic and the surreal, questioning perceptions of reality and fiction. “The House Made of Sugar” is in this tradition, exploring psychological and existential themes with the fantastic.

Modernism and literary experimentation: The era was also characterized by stylistic and narrative experimentation in literature. Like his contemporaries, Ocampo sought new forms of literary expression, manifested in the structure, style and thematic focus of the short story.

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Conclusions or lessons that can be drawn from the story.

“The House Made of Sugar” by Silvina Ocampo, with its enigmatic narrative and rich symbolism, offers multiple conclusions and lessons, both literary, existential and psychological:

One of the most obvious lessons of the story is the fragility and mutability of identity. Cristina’s transformation suggests that identity is a fluid construct, susceptible to external influences and internal changes. This idea challenges the notion of a stable and coherent ‘self,’ proposing a more dynamic and less defined view of the self.

The story also warns about the unintended consequences of lies and deception. By lying about the house’s history to protect Cristina from her superstitions, the narrator triggers a series of events that profoundly alter their lives. This highlights how deceptions, even with benign intentions, can have devastating effects.

Ocampo explores how individual perception can alter reality. The narrator’s obsession with Cristina’s identity and her connection to Violeta distorts his interpretation of events. This teaches us that our perceptions and prejudices deeply influence our understanding of the world and that ‘reality’ is, in a sense, a subjective concept.

The story also reflects on the impact of superstitions and irrational beliefs on everyday life. Cristina’s superstitions not only define her actions but also profoundly affect her relationship and her environment. This suggests that beliefs, even those that seem harmless, can have significant power over our lives.

The story of the house and its connection to Violet shows how the past can permeate and affect the present. This interplay between past and present serves as a reminder that history and past experiences can continue to impact the present, often in unexpected ways.

Finally, the story illustrates the complexity and power dynamics in human relationships. The relationship between Cristina and the narrator is a mixture of love, protection, control, and obsession. This complexity reflects the often ambiguous and multifaceted nature of intimate relationships.

Seven reasons why Silvina Ocampo’s “The House Made of Sugar” is worth reading:

1. Ocampo presents a fascinating exploration of human psychology, especially around themes such as obsession, identity and superstitions. The story invites readers to dive into the complexities of the human mind and reflect on how our perceptions and beliefs can alter our reality.

2. The story is notable for its skillful interweaving of the real and the surreal, creating an atmosphere of mystery and ambiguity. This rich and enigmatic narrative keeps the reader hooked, offering an intriguing and thought-provoking reading experience.

3. Ocampo’s prose is elegant and lyrical, with meticulous attention to detail and an ability to construct vivid, evocative images. Her distinctive style is a reason to read the story, providing a pleasurable aesthetic experience.

4. Although the tale is set in a specific and culturally rich context, its themes are universal. Issues such as the nature of truth, the construction of identity, and the impact of decisions and secrets on relationships are relevant to any reader.

5. The story invites reflection on the nature of reality and perception. Ocampo’s ability to interweave reality with fantastic elements raises questions about what is real and what is a product of our minds.

The House Made of Sugar” is a significant Argentine literature work and an outstanding example of the fantastic genre. Reading it provides insight into Ocampo’s work and offers a broader appreciation of Argentina’s literary contributions.

7. The story also provides a window into the gender norms and social dynamics of its time, offering a critical perspective that can be analyzed and interpreted in contemporary debates about gender and society.


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