Julio Cortázar: The Son of the Vampire. Summary and Analysis

Julio Cortázar: The Son of the Vampire. Summary and Analysis

One night, the vampire Duggu Van rises from his grave and enters the castle where Lady Vanda sleeps. Attracted by her beauty, he falls in love with her instead of feeding on her, and he possesses her. Shortly after, Lady Vanda becomes ill and discovers that she is pregnant. Confined within the castle, she is cared for by the nurse Miss Wilkinson, while her body steadily weakens. The doctors find no explanation. The child she carries grows in an abnormal way, absorbing her blood and transforming her. On the night of the birth, Lady Vanda’s body changes completely: her skin darkens, her sex transforms, and from her emerges a male being—the son of Duggu Van. At midnight, Duggu Van arrives, takes the hands of his son, and together they leave through the window, leaving behind the doctors and the nurse, unable to comprehend what has just happened.

Samanta Schweblin: Preserves

Samanta Schweblin: Preserves

“Preserves” is a short story by Samanta Schweblin, published in 2008 in the anthology La furia de las pestes. The story follows a young woman facing an unplanned pregnancy that disrupts her plans, her routine, her relationship, and the family’s sense of calm. As her body changes, she experiences growing anxiety, insomnia, and a feeling of losing control. Together with her partner, they explore various alternatives: obstetricians, healers, a midwife, and a shaman. Eventually, they meet Dr. Weisman, whose proposal seems to offer a definitive solution to their problems.

Jorge Luis Borges: Three Versions of Judas. Summary and analysis

Jorge Luis Borges: Three Versions of Judas. Summary and analysis

In “Three Versions of Judas” (Tres versiones de Judas), Jorge Luis Borges tells the story of Nils Runeberg, a fictional Swedish theologian who devotes his life to studying the figure of Judas Iscariot. In his works, Runeberg develops a series of theories that radically reinterpret Judas’ betrayal, first claiming that his act was a necessary sacrifice in the divine plan and, finally, that Judas was an incarnation of God. As he delves deeper into his thinking, Runeberg moves away from religious orthodoxy, is condemned by theologians, and ends up in tormented isolation. His last work, ignored by all, argues that God’s sacrifice had to be absolute, including infamy and eternal damnation, and that this is why he decided to be Judas. Convinced that he has revealed a divine secret that should not be known, Runeberg goes mad and dies alone after wandering the streets of Malmö.

Jorge Luis Borges: The Interloper. Summary and analysis

Jorge Luis Borges - La intrusa. Resumen y análisis

The Interloper (La intrusa) is a short story by Jorge Luis Borges, published in 1970 in the book El informe de Brodie. It tells the story of the Nilsen brothers, rough and lonely men who live together in an isolated house in Turdera. Their life changes when Cristián brings Juliana to live with them, a woman whose presence threatens to disrupt life in the home. The story describes with realism and rawness how the bonds between the brothers begin to change as a silent rivalry grows between them.

Jorge Luis Borges: The Interloper

Jorge Luis Borges - La intrusa

The Interloper (La intrusa) is a short story by Jorge Luis Borges, published in 1970 in the book El informe de Brodie. The story is set in Turdera, a town on the outskirts of Buenos Aires, and narrates the life of two brothers, Cristián and Eduardo Nilsen, rough cattle drivers united by violence, pride and a strange loyalty. Their bond begins to strain when a woman, Juliana Burgos, enters their lives and upsets the balance that kept them together. A story with a sordid history that portrays life in the Argentine countryside at a time when women were nothing more than objects.

Julio Cortázar: Axolotl

Julio Cortázar - Axolotl2

Axolotl is a short story by Julio Cortázar, published in 1956 in the Final del juego (End of the Game) collection. It tells the story of a man’s obsession with axolotls —amphibians native to Mexico also known as ajolotes— that he observes daily in an aquarium in Paris. Fascinated by their stillness and their eyes, the protagonist feels a deep connection with these creatures, perceiving in them a mysterious presence and a latent humanity.