Gustavo Adolfo Bécquer: The White Doe

Gustavo Adolfo Bécquer: The White Doe

“The White Doe” (La corza blanca) is a short story by Gustavo Adolfo Bécquer, published in June 1863 in La América. The story is set in a small village in Aragon during the Middle Ages. Don Dionís, a retired knight, devotes himself to hunting in the company of his daughter Constanza, renowned for her extraordinary beauty. During one of their expeditions, the hunters encounter Esteban, a shepherd who tells them an unsettling story about the deer of the region and a mysterious white doe. Although the tale is met with skepticism by the hunters, Garcés, a young huntsman, decides to investigate the truth.

Jorge Luis Borges: A Weary Man’s Utopia

Jorge Luis Borges: A Weary Man's Utopia

“A Weary Man’s Utopia” (Utopía de un hombre que está cansado), a short story by Jorge Luis Borges published in 1975 in the collection The Book of Sand, is a lyrical tale with deep philosophical roots that recounts the encounter between a twentieth-century man and an inhabitant of the future. The protagonist, Eudoro Acevedo, arrives at a house where he is received by a tall man dressed in gray. During their conversation in Latin, the host reveals an apparently utopian world, without governments, cities, or material possessions. Humanity has abolished the printing press, and each individual creates his own science and art. The inhabitants live in solitude and exercise complete control over their own life and death.

Lafcadio Hearn: The Boy Who Drew Cats

Lafcadio Hearn - El niño que dibujaba gatos

“The Boy Who Drew Cats” is a tale by Lafcadio Hearn, published in 1898 as number 23 in Hasegawa Takejirō’s Japanese Fairy Tale Series. It tells the story of a Japanese boy, the youngest in a farming family, who is sent to a temple to be trained as a priest. Despite his intelligence, he has an irresistible obsession: drawing cats everywhere. His master expels him from the temple with a cryptic warning: “Avoid large places at night;—keep to small!” Without fully understanding these words, the boy sets out on a journey to another temple in search of a new opportunity.

Arthur Machen: The Shining Pyramid

Arthur Machen: The Shining Pyramid

“The Shining Pyramid” is a short story by Arthur Machen, first published in May 1895 in The Unknown World. Mr. Vaughan visits his friend Dyson in London to ask for help with a disturbing mystery: near his country house, strange designs have appeared, made with prehistoric arrowheads that rearrange themselves each night to form enigmatic figures. Vaughan fears they may be signals left by thieves interested in his valuable collection of ancient silver. Intrigued by these inexplicable symbols, Dyson decides to accompany Vaughan to his remote property in the Welsh hills to investigate the phenomena and discover who—or what—is creating them.

F. Marion Crawford: The Dead Smile

F. Marion Crawford: The Dead Smile

“The Dead Smile” is a short story by F. Marion Crawford, first published in August 1899 in Ainslee’s Magazine and later included in the collection Uncanny Tales (1911). Set in an old Irish mansion, it unfolds the unsettling tale of the Ockrams, a family burdened by a cursed inheritance. Before his death, Sir Hugh—an old man both cruel and merciless—utters cryptic warnings to his son Gabriel and to his niece Evelyn, who intend to marry. Yet he takes his secret to the grave. From that moment on, the young couple’s happiness is overshadowed by a growing threat and an insistent summons that seems to rise from the family crypt itself.

Robert Silverberg: Passengers

Robert Silverberg: Passengers

“Passengers” is a short story by Robert Silverberg, published in 1968 in the anthology Orbit 4. In a world invaded by entities that control people without warning, a man wakes up with a confused mind and his body marked by the traces of an unknown host. Not knowing what he has done during the last few days, he tries to reconstruct the lost time by observing his surroundings: the mess in the apartment, traces of a woman, signs of someone else’s life. While the city adapts to this disturbing form of slavery, the protagonist clings to the illusion of becoming himself again and regaining control of his destiny.