United States | Lecturia

Fritz Leiber: The Dreams of Albert Moreland

“The Dreams of Albert Moreland” is a short story by Fritz Leiber, published in 1945 in The Acolyte magazine. Albert Moreland is a solitary and talented chess player who makes a living by playing games for a few cents in a Manhattan recreation hall. One night, he confides to his boardinghouse companion that he dreams every night of the same endless match, played on a gigantic and unfamiliar board, with strange pieces and incomprehensible rules. This dreamlike game, seemingly unfolding beyond time and space, soon turns into a disturbing obsession that consumes him entirely.

Henry Kuttner: The Graveyard Rats

Synopsis: “The Graveyard Rats” is a horror short story by Henry Kuttner, first published in Weird Tales magazine in March 1936. The story follows Masson, the caretaker of an old and neglected cemetery in Salem, where huge, ravenous rats dig tunnels among the graves to steal freshly buried corpses. Their activity threatens Masson’s grim side business—grave robbing. One night, while trying to exhume a body, he discovers that the rats have gotten there first. What follows is a frantic and terrifying chase through the underground tunnels, leading Masson to confront horrors beyond imagination.

Fredric Brown: Don’t Look Behind You

“Don’t Look Behind You” is a short story by Fredric Brown, published in May 1947 in Ellery Queen’s Mystery Magazine. It tells the story of Justin Dean, a modest engraver working at a printing shop in Ohio, whose life changes when he meets Harley Prentice, a handsome, refined, and enigmatic man. Fascinated by his elegance and confidence, Justin agrees to join him in a risky business venture that promises fortune. But beneath the appearance of success lie unsettling secrets that will drag them toward an increasingly ominous and uncertain fate.

Ray Bradbury: The Wind

“The Wind” is a psychological horror story by Ray Bradbury, published in Weird Tales in March 1943. It tells the story of Allin, a man convinced that the winds are living entities and that one of them is trying to possess him. Seeking comfort, Allin turns to his friend Herb Thompson, but Herb is unable to visit him because he is expecting guests at his own home—and his wife believes Allin has gone mad. Throughout the night, Herb receives several phone calls from Allin, each one more disturbing than the last.

Harlan Ellison: Jeffty Is Five. Summary and Analysis

In “Jeffty Is Five,” an adult man named Donald Horton narrates his relationship with Jeffty Kinzer, a boy who, mysteriously, never ages and remains forever five years old. As Donald grows, Jeffty stays the same, preserving not only his childlike appearance but also an inexplicable connection to a vanished cultural past: he listens to old radio shows, receives comics and toys from decades past as though they are current. Donald, torn between his adult life and the magic of Jeffty’s world, revels in that living nostalgia until, through negligence, he exposes him to the present. Jeffty is brutally beaten by some teenagers and, after that event, access to his world disappears. The story ends with Donald overwhelmed and vainly trying to recover that lost connection.

Isaac Asimov: Franchise. Summary and Analysis

In the year 2008, presidential elections in the United States are no longer conducted through popular vote. Instead, a supercomputer called Multivac selects one representative citizen to determine the outcome of all elections. That year, the chosen individual is Norman Muller, an ordinary man living in Bloomington, Indiana, with his family. After receiving an official visit from a government agent notifying him of his selection as Voter of the Year, Norman is placed under surveillance and taken to a facility connected to Multivac, where he answers a series of seemingly trivial questions while his physiological reactions are recorded. Once the process is complete, he is released without being informed of the election results. Though initially anxious and reluctant, by the end, he feels proud to have served as the means through which the national “vote” was exercised in a fully technologized democracy.